Saturday, 10 February 2024

Judith Scott, Artist, American, b.1943, d. 2005




The work of Judith Scott involves the careful and obsessive wrapping of various and often unidentifiable objects in yarn, twine, cord, and fabric. They are human in scale—the smallest are easily hand-held, while the largest are the size of a person. Together they are a showcase of color, texture, and form, instilling new life in the otherwise negligible items she chose to work with. Scott devoted the last eighteen years of her life to the production of these sculptures, working six to eight hours a day on them. This work in its own right is sufficiently compelling to invite attention, but considering that these objects were produced in such an obsessive manner serves as further cause to dwell on her work.  The human story behind her art gives pause, and strengthens the relational connection between the work and its audience.

Above images and text from cordella.org. Link below. 

Additional info:

 

Amanda Browder, Artist



Textile artist Amanda Browder collaborates with the communities she’s working in to built site-specific architectural interventions. Using hundreds of yards of donated fabric with bright colors and patterns, Browder and her volunteer teams stitch together enormous panels that resemble crazy quilts. The panels wrap around bell towers, sheath elevated walkways, and drape from gables and eaves to give passersby a new experience of familiar buildings. 

Above images and text from Colossal. 




 

Materials List for Textiles and Natural Dye Class

All students must have 

9-inch fabric scissors, thread snips, straight pins, nylon thread and sewing needles. 


FABRIC SCISSORS 

Must be scissors specifically made for fabric. Several brands to choose from. I recommend 9-inch Fiskars. Can find in craft stores and online. 




THREAD SNIPS
I recommend 5-inch with handle. We will be using to pull out/cut tight stitches made with nylon thread. Can find in craft stores and online.



STRAIGHT PINS

Available in craft stores and online. 

Can also find in grocery store in the aisle with cleaning supplies. 


NYLON UPHOLSTERY THREAD

I recommend Sewology 100% extra strong bonded nylon upholstery. Color – White or Chiffon. 150 Yards. Must be 100% bonded nylon. We are using for Shibori stitching.  



SEWING NEEDLES

If you are new to threading needles, large eye holes are easier. You can find in craft stores and online. Two examples below. All needles in the first example have large eyes. I suggest an assortment of needles with various size eye holes, length and sharpness. You will need different needles for different processes.





Optional


4 1/2 inch Detail Scissors with Nano Tip


Seam Ripper. 

Can purchase at craft store or online. 

Can also purchase single or in a set. 




Sewing thread for hand stitching. 

Cotton thread snaps easier than a polyester blend. Various thread colors and blends available in the studio. You may want to purchase thread after the first few weeks of class when you have a better idea of your project ideas. 




Measuring Tape. 

A few are available in the studio for students to share. If you have your own you will not have to share. Available in craft stores and online. Can also find in grocery store (usually aisle with cleaning supplies). 

    




Mini Iron (needs no water)

Other options available. This is the model I have available for check out in the studio. If you have your own, you will not have to wait for check out. 





Reusable Rubber Gloves. 

The natural dyes we use may stain your hands. If you choose to use indigo, this dye will stain your hands. Tongs are available for students to retrieve their fabric bundles from the dye pots. However, some students find they want to use gloves. Available at grocery stores and online. If you purchase, write your name on the gloves with a sharpie. 



Apron. 

On the days we dye, I suggest wearing old clothes or an apron. 

Available at craft stores or online. 





 


Transporting your materials 

and storage in the studio. 

There is limited space in the studio to store your materials and projects. If you decide to leave your work or materials in the studio, I have a bit of space available in the large metal textile cabinet. 

Need a canvas tote bag about the size of a large laptop if you want to keep your fabric pieces in the textile cabinet in the studio. A flat bottom bag is most efficient for storage in the metal textile cabinet. 

Please do not use a plastic bag. Plastic rips easily causing items to disperse and clutter the limited space for student storage. Larger tote bags will not work as the large size will consume the space. 

Keep scissors, needle and threads in some sort of plastic case/bin. Use a sharpie to put your name on the case/bin and on all your items. I suggest not leaving your scissors/needles.  

I suggest keeping needles in felt so as not to loose or damage. You can purchase a small sheet of felt, approximately 8” x 10”, at craft stores for approximately 50 cents. There are also felt scraps in the studio. Below is an example of a needle felt book. You do not have to make the "book" - can use small pieces of felt. If interested in the making a felt book, a plethora of examples on Pinterest. 




Or a magnetic needle carrying case is preferred by some. You can find different sizes online and in craft stores. 




Thursday, 8 February 2024

Laura Towne, Student Work


Worthless #1
Alpaca Wool on Paper
9" x 9" 



Worthless #2
Alpaca Wool on Paper
9" x 9"



Worthless #3
Alpaca Wool on Paper
9" x 9'

 

Caroline Harrius, Artist






More to see. Links below. 



 

Tileke Schwarz, Artist











More to see. Source links below. 

 

Textile Artist

 


Features textile artists and other textile related information. 

Cayce Zavaglia, Artist





More to see on artist website. 

 

Jordan Assar, Artist






Jordan Nassar’s favored subject is landscape. He embroiders his compositions, which are framed by, and built up through, repeating patterns adapted from traditional Palestinian motifs. At first glance his scenes seem innocuous enough. They comprise rolling hills, rendered sometimes in vibrant shades of red, while other times in more muted grays and browns. These hills are framed by a dramatically hued sky: oftentimes blue, as we might expect, while in other works it is pink or orange. In these the effect is of distant peaks dappled by the rays of a setting late summer sun. This idyll, which initially seems like an abstract anywhere, turns out to be imaginary, yet specific. The artist is of Palestinian descent, but was born and raised in New York City. Extending from this, his work evokes a very particular kind of imagined space: the sort of utopian vision of Palestine held by the displaced constituents that comprise the region’s diaspora.


More to see on artist website. 

 

Elsa Hansen, Artist






Detail of larger piece. 

More to see on artist website. 

 

Elaine Reichek, Artist


Trained as a painter, Reichek first began using thread in her canvases as a way of drawing. “I wasn’t conscious of this as embroidery until I saw what I had been making,” she says. Since the 1970s, she has been dismantling the barriers between craft forms and high art, allowing them to cross-pollinate, with conceptually rich results. The artist uses digital embroidery, beading, tapestry, and other techniques, often quoting images directly from art history and texts from both literature and documentary sources.

Source is Artsy:

 

Richard Saja, Artist








Source link below. 
More to see. 

 

The Textile Museum Journal


An excellent source purchased by Proctor Library for Textile Students. 
Use your school log in info to access. 
Go to link below to get started. 

Wednesday, 7 February 2024

Jennifer Pettus, Artist based in Colorado










Shindig/Wingding

58 x 60 x 12″

Pencil and colored pencil on satin and cotton voile, fabric transfer ink, gold and bronze tulle, cotton thread, synthetic yarn, cotton balls, fabric dye, burlap, perler beads, gold dressing pins, synthetic hair, acrylic paint, sequin trim






Honest or Flare

84 x 20 x 10″

Pencil and colored pencil on tea stained cotton voile, fabric transfer ink, lace, silk flowers, cranberry juice, coffee, hand dyed yarn, duster, faux fur, lace trim, plastic rock, dehydrated apple, ear plug, gold chain


Go to artist website to see more. 

http://www.jenniferpettus.com/



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