Showing posts with label Stitching Artists. Show all posts
Showing posts with label Stitching Artists. Show all posts

Friday, 14 October 2022

Anne Wilson, Artist, American

 


LOST is about the loss of the physical body; about mortality. The displaced hair is lost, separated from the body, graduated over a large cloth that may reference something like a garment or a curtain, gathered and draped over a chair.




More to see. 
Artist Website:

Tuesday, 18 January 2022

Suzani



What is a suzani?

A suzani is a large, hand-embroidered textile panel; the word comes from the Persian word suzan, which means needle. Originating from nomadic tribes in Tajikistan, Uzbekistan, Kazakhstan and other Central Asian countries, suzanis have become highly collectable and valued for their beautiful decoration and fine craftsmanship.



How was the suzani originally used?

The primary use of a suzani was within the yurt (a Central Asian nomadic tent), as a protective wrapping panel for textiles and belongings. They were also used as prayer mats, as bed sheets and for seating — pieces of furniture are seldom found in yurts, because they are cumbersome to move.

Suzanis had a symbolic significance, too. They were traditionally made by brides and their mothers as part of a dowry, and presented to the groom on his wedding day. They represented the binding together of two families, and were adorned with symbols of luck, health, long life and fertility.


                        PROBABLY BUKHARA, UZBEKISTAN, 19TH CENTURY


How are suzanis made?

Suzanis are made from cotton, sometimes silk. The pattern is first drawn onto the cotton, before being embroidered on narrow portable looms. They are usually produced in two or more pieces, meaning that they can be worked on by more than one person, before being stitched together.

Just four stitches — tambour, basma, chain and kanda-khayol — are used to realise a large variety of patterns, which traditionally include the sun and moon, flowers and creepers of the Asian steppes, leaves and vines, fruits (especially pomegranates), and occasionally fish and birds. These motifs were believed to imbue the suzanis with spiritual powers, offering protection or strength to their owners.

Which dyes are used?

Suzanis are coloured with vegetal dyes, although some more recent pieces may use synthetic dyes, which are not considered to give the same intensity of hue.

The natural dyes use imported indigo for blue, cochineal and imported madder for reds, saffron for yellow, a mix of indigo and a yellow tree fungus for green, and iron oxide and pistachio nuts for black. The dyeing process takes place in an outdoor vat, similar to those that can still be seen across the Maghreb.


 More images and info. Go to source link below.

https://www.christies.com/features/A-guide-to-suzani-textiles-8341-1.aspx




Uzbekistan is a Central Asian nation and former Soviet republic. It's known for its mosques, mausoleums and other sites linked to the Silk Road, the ancient trade route between China and the Mediterranean. 





 

Saturday, 13 November 2021

Zoe Leonard, Artist








Zoe Leonard’s Strange Fruit (1992–97) consists of some three hundred fruit skins – bananas, oranges, grapefruits, and lemons – consumed, then stitched back together by the artist with brightly coloured thread and wire. The work was made in the 1990s, during the global AIDS crisis that devastated communities in New York, where Leonard was living and working.

By sewing up wasted peels instead of discarding them, the artist created objects that resemble little bodies FIG. 2. At a time in which her dying friends were treated as disposable by most of the public, the government and the medical community, the task may have offered a defiant respite. Leonard described sewing as a sort of meditation, a private act of mourning.

Above images and text from Burlington Contemporary:

and Seven Ponds
 

Katrina Perdue, Mender



More to see on artist's website:

 

Celia Pym, Artist


Elizabeth’s Cardigan, cardigan and wool darning, 50 x 65 cm, 2002-2016


Teaching Jumper, original grey jumper with one moth hole in middle of the chest, wool and acrylic yarn, 
65 x 54cm, 2020

Mended Mushroom Bag, paper bag, wool and cotton, 12 x 24 x 5cm, 2021




Vivien Leigh’s jacket, made by Women’s Home Industries, original garments and white wool mending, 
60 x 105 x 3cm, 2020


More to see on artist's website:

 

Mark Newport, Artist





More to see on artist's website:

 

Sunday, 25 July 2021

Sashiko





Sashiko Kimono



History:

Sashiko originated about 400 years ago as a means of keeping warm and preserving clothing. In rural, northern Japan, winters were harsh and many people were extremely poor. They relied on producing their own clothing from hemp (cotton was prohibitively expensive for everyday garments) and were restricted from wearing certain colours, so used indigo dye as it was easily grown and was thought to protect against insects. 


​Putting two or more layers of cloth together and sewing with running stitch creates small pockets of air in the clothing, which trap warmth. Many beautiful, geometric patterns were stitched in undyed thread to create the classic 'cream on blue' look we associate with sashiko today. As well as being beautiful, this was also very practical as women would often stitch sashiko on dark evenings and the contrast meant they could see what they were doing! 

​Since an item of clothing sometimes had to last for three generations, dense stitching helped preserve the fabric, as well as providing a means of repairing with patches. 

​Sashiko fell out of favour in the 20th century as Japanese people began to wear Western clothes and did not want to be reminded of how poor their families once were. However, recent years have seen a revival of interest as people around the world have seen sashiko on the internet and want to have a go! In Japan, sashiko has also become more popular as a craft hobby. Interestingly, people in the West tend to want their sashiko to look 'traditional' and usually choose cream thread and indigo fabric, whereas in Japan this looks a bit 'old fashioned', so different coloured fabrics and threads are becoming more popular!


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